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Saturday, January 16, 2010

Tribute to Aaliyah, As the World Marks Her 31st Birthday

Tribute to Aaliyah
Aaliyah Dana Haughton (January 16, 1979 – August 25, 2001), who performed under the mononym Aaliyah (pronounced /əˈliːə/), was an American recording artist, actress and model. She was born in Brooklyn, New York, and was raised in Detroit, Michigan. At an early age, she appeared on the television show Star Search and performed in concert alongside Gladys Knight. At age 12, Aaliyah was signed to Jive Records and Blackground Records by her uncle, Barry Hankerson. He introduced her to R. Kelly, who became her mentor, as well as lead songwriter and producer of her debut album, Age Ain't Nothing But a Number. The album sold two million copies in the United States and was certified double platinum by the Recording Industry Association of America (RIAA). After facing allegations of an illegal marriage with Kelly, Aaliyah ended her contract with Jive and signed to Atlantic Records.

Aaliyah worked with record producers Timbaland and Missy Elliott for her second album, One in a Million; it sold two million copies in the United States and over eight million copies worldwide. In 2000, Aaliyah appeared in her first major film, Romeo Must Die. She contributed to the film's soundtrack, which spawned the single "Try Again". The song topped the Billboard Hot 100 solely on airplay, making Aaliyah the first artist in Billboard history to achieve this feat. "Try Again" earned Aaliyah a Grammy Award nomination for Best Female R&B Vocalist.

After filming Romeo Must Die, Aaliyah filmed her part in Queen of the Damned. She released her third and final album, Aaliyah, in 2001. On August 25, 2001, Aaliyah and eight others were killed in an airplane crash in The Bahamas after filming the music video for the single "Rock the Boat". The pilot, Luis Morales III, was unlicensed at the time of the accident and had traces of cocaine and alcohol in his system. Aaliyah's family later filed a wrongful death lawsuit against Blackhawk International Airways, which was settled out of court. Since then, Aaliyah has achieved commercial success with several posthumous releases. Selling over 24 million records worldwide, she has been credited for helping redefine R&B and hip hop and has been named the "Princess of R&B".


Life and career
1979–1990: Early life
Aaliyah Dana Haughton was born on January 16, 1979, in Brooklyn, New York City, New York.[1] Born of African American and Oneida descent,[2][3] she was the second and youngest child of Diane and Michael Haughton.[4] At a young age, Aaliyah was enrolled for voice lessons by her mother.[1] She would perform at weddings, church choir and charity events.[3] When she was five years old, her family moved to Detroit, Michigan, where she was raised along with her older brother, Rashad.[5][6] She attended a Catholic school, Gesu Elementary, where she received a part in the stage play Annie in first grade. From then on, she became determined to be an entertainer.[7] Aaliyah's mother was a vocalist, and her uncle, Barry Hankerson, was an entertainment lawyer who was previously married to Gladys Knight.[6] As a child, Aaliyah traveled with Knight and worked with an agent in New York to audition for commercials and television programs, including Family Matters; she went on to appear on Star Search at the age of nine.[1][8] She then auditioned for several record labels and appeared in concerts alongside Knight at age 11.[6][9]

1991–1995: Age Ain't Nothing But a Number
After Hankerson signed a distribution deal with Jive Records, he signed Aaliyah to his Blackground Records label at the age of 12.[10][11] Hankerson later introduced her to recording artist and producer R. Kelly,[9] who became Aaliyah's mentor, as well as lead songwriter and producer of the album, which was recorded when she was 14.[11][12][13] Released in June 1994, the album peaked at number 18 on the Billboard 200 and sold over two million copies in the United States.[14][15] Aaliyah's debut single, "Back & Forth", topped the Billboard Hot R&B/Hip-Hop Songs chart for three weeks and was certified Gold by the RIAA.[16][17] The second single, a cover of The Isley Brothers' "At Your Best (You Are Love)", peaked at number six on the Billboard Hot 100 and was also certified Gold by the RIAA.[16][17] The title track, "Age Ain't Nothing But a Number", peaked at number 75 on the Hot 100.[16] Additionally, she released "The Thing I Like" as part of the soundtrack to the 1994 film A Low Down Dirty Shame.[18]

With the release of Age Ain't Nothing But a Number, rumors began to circulate of a relationship between Aaliyah and Kelly.[9][19] Shortly after, rumors of a secret marriage began with the release of "Age Ain't Nothing But a Number" and the adult content that Kelly had written for Aaliyah.[20] Vibe magazine later revealed a marriage certificate that listed the couple allegedly married on August 31, 1994, in Sheraton Gateway Suites in Rosemont, Illinois.[9][20] Aaliyah, who was 15 at the time, was listed as 18 on the certificate; the illegal marriage was reportedly annulled in February 1995 by her parents.[12][20][21] The pair continued to deny marriage allegations, stating that neither was married.[19]


1996–1999: One in a Million
"If Your Girl Only Knew" (1996)

The first single released from her second studio album, "If Your Girl Only Knew" was described as a sassy, organ-infused song.[22] Aaliyah was noted for having "smoother, more seductive, and stronger" singing.[23]

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In 1996, Aaliyah left Jive Records and signed to Atlantic Records.[9] She worked with record producers Timbaland and Missy Elliott, who contributed to her second studio album, One in a Million.[6] The album yielded the single "If Your Girl Only Knew", which topped the Billboard Hot R&B/Hip-Hop Songs for two weeks.[16] It also generated the singles "Hot like Fire" and "4 Page Letter". The following year, Aaliyah was featured on Timbaland & Magoo's debut single, "Up Jumps da Boogie".[24] One in a Million peaked at number 18 on the Billboard 200,[14] selling over two million copies in the United States and over eight million copies worldwide.[25][26]

Aaliyah attended the Detroit High School for the Performing Arts, where she majored in drama and graduated in 1997 with a 4.0 grade point average.[9][27][28] Aaliyah began her acting career that same year; she played herself in the police drama television series New York Undercover.[29] During this time, Aaliyah participated the Children's Benefit Concert, a charity concert that took place at the Beacon Theatre in New York.[30] She contributed on the soundtrack album for the Fox Animation Studios animated feature Anastasia, performing a cover version of "Journey to the Past" which earned songwriters Lynn Ahrens and Stephen Flaherty a nomination for the Academy Award for Best Original Song.[18][26][31] Aaliyah performed the song at the 1998 Academy Awards ceremony and became the youngest singer to perform at the ceremony.[32][33]


2000–2001: Romeo Must Die and eponymous album

In 2000, Aaliyah landed her first major movie role in Romeo Must Die. A loose adaptation of William Shakespeare's Romeo and Juliet, Aaliyah starred opposite martial artist Jet Li, playing a couple who fall in love amid their warring families. It grossed $18.6 million in its first weekend, ranking number two at the box office.[34] In addition to acting, Aaliyah served as an executive producer of the film soundtrack, where she contributed four songs.[35] "Try Again" was released as a single from the soundtrack; the song topped the Billboard Hot 100, making Aaliyah the first artist to top the chart based solely on airplay; this led the song to be released in a 12" vinyl and 7" single.[16][36] The music video won the Best Female Video and Best Video from a Film awards at the 2000 MTV Video Music Awards.[37] It also earned her a Grammy Award nomination for Best Female R&B Vocalist.[38] The soundtrack went on to sell 1.5 million copies in the United States.[39]

After completing Romeo Must Die, Aaliyah began to work on her second film, Queen of the Damned. She played the role of an ancient vampire, Queen Akasha, which she described as a "manipulative, crazy, sexual being".[11] She was scheduled to film for the sequels of The Matrix as the character Zee.[9][40] Aaliyah went on to release her eponymous album, Aaliyah, in July 2001. Produced primarily by Timbaland,[1] the album debuted at number two on the Billboard 200, selling 187,000 copies in its first week.[41] The first single from the album, "We Need a Resolution", peaked at number 59 on the Billboard Hot 100.[16]

Plane crash, death and wrongful death lawsuit
On August 25, 2001, at 6:45 pm (EST), Aaliyah and various members of the record company boarded a twin engine Cessna 402B (N8097W) at Marsh Harbour, Abaco Islands, The Bahamas, to travel to an airport in Opa-locka, Florida, after they completed filming the music video for "Rock the Boat".[42] They had a flight scheduled the following day, but with filming finishing early, Aaliyah and her entourage were eager to return to the United States. They made the decision to leave immediately. Against the advice of baggage handlers and the pilot, all the equipment from the shoot was loaded on the plane. Therefore, the aircraft exceeded the standard weight and balance tolerance limit provided by Cessna.[43]

The plane crashed shortly after takeoff, about 200 feet (60 m) from the runway.[42] Aaliyah, pilot Luis Morales III, hair stylist Eric Forman, Anthony Dodd, security guard Scott Gallin, video producer Douglas Kratz, stylist Christopher Maldonado, and Blackground Records employees Keith Wallace and Gina Smith were killed.[44] According to findings from an inquest, conducted by the coroner's office in The Bahamas, Aaliyah suffered from "severe burns and a blow to the head", in addition to severe shock. The coroner theorized that, even if Aaliyah had survived the crash, her recovery would have been virtually impossible given the severity of her injuries.[45] The National Transportation Safety Board (NTSB) report stated that "the airplane was seen lifting off the runway, and then nose down, impacting in a marsh on the south side of the departure end of runway 27."[46] It also indicated that the pilot was not approved to pilot the plane he was attempting to fly. Morales falsely obtained his Federal Aviation Administration (FAA) license by showing hundreds of hours never flown, and he may also have falsified how many hours he had flown in order to get a job with his employer, Blackhawk International Airways.[47] Additionally, an autopsy performed on Morales revealed traces of cocaine and alcohol in his system.[48]


The entrance to Ferncliff Cemetery, where Aaliyah is interredFurther investigations determined the plane was over its total gross weight by 700 pounds and was loaded with one more passenger than it was allowed to carry.[49] John Frank of the Cessna Pilots Association stated that the plane was "definitely overloaded".[50] The NTSB reported that the total gross weight of the plane was "substantially exceeded", which caused the center of gravity to be pushed too far aft.[46] Aaliyah's funeral, which was attended by over 800 mourners, was held on August 31, 2001, at the Saint Ignatius Loyola Church in New York.[12][51] After service, 22 white doves were released to symbolize each year of her life.[52] Aaliyah was buried at the Ferncliff Cemetery.[53]

The day of the crash was Morales' first official day with Blackhawk International Airways, an FAA Part 135 single-pilot operation. In addition, Morales was not registered with the FAA to fly for Blackhawk. As a result of the accident, a wrongful death lawsuit was filed by Aaliyah's parents and was later settled out of court for an undisclosed amount.[54] Barry & Sons, Inc., a corporation formed in 1992 to develop, promote and capitalize Aaliyah and to oversee the production and distribution of her records and music videos, brought an unsuccessful lawsuit in the New York Supreme Court against Instinct Productions LLC, the company that was hired in August 2001 to produce the music video for "Rock the Boat". The case was dismissed due to New York's wrongful death statute only permitting certain people to recover damages for wrongful death.[55][56]

2001–2005: Posthumous career
The week after Aaliyah's death, her third studio album, Aaliyah, rose from number 19 to number one on the Billboard 200.[57] "Rock the Boat" was released as a posthumous single. The music video was premiered on Black Entertainment Television's Access Granted; it became the most viewed and highest rated episode in the history of the show.[58] The song peaked at number 14 on the Billboard Hot 100 and number two on Billboard Hot R&B/Hip-Hop Songs chart.[59] It was also included on the Now That's What I Call Music! 8 compilation series; a portion of the album's profits were donated to the Aaliyah Memorial Fund.[60] The following two singles from Aaliyah, "More than a Woman" and "I Care 4 U", peaked within the top 25 of the Billboard Hot 100.[59] The album was certified double Platinum by the RIAA and sold 2.5 million copies in the United States.[17][61]

She went on to win two posthumous awards at the American Music Awards of 2002; Favorite Female R&B Artist and Favorite R&B/Soul Album for Aaliyah.[62] Her second and final film, Queen of the Damned, was released in February 2002. Before its release, Aaliyah's brother, Rashad, re-dubbed part of her lines during post-production.[63][64] It grossed $15.2 million in its first weekend, ranking number one at the box office.[65] In December 2002, a collection of previously unreleased material was released as Aaliyah's first posthumous album, I Care 4 U. A portion of proceeds was donated to the Aaliyah Memorial Fund, a program that benefits the Revlon UCLA Women Cancer Research Program and Harlem's Sloan Kettering Cancer Center.[66] It debuted at number three on the Billboard 200, selling 280,000 copies in its first week.[61] The album's lead single, "Miss You", peaked at number three on the Billboard Hot 100 and topped the Hot R&B/Hip-Hop Songs chart.[59] In August of the following year, clothing retailer Christian Dior donated profits from sales in honor of Aaliyah.[67]

Aaliyah was signed to appear in several future films, including Honey (recast to Jessica Alba).[68] Some Kind of Blue and a Whitney Houston-produced remake of the 1976 film Sparkle were canceled due to Aaliyah's death.[2][69] Before her death, Aaliyah had filmed part of her role in The Matrix Reloaded and was scheduled to appear in The Matrix Revolutions as Zee.[24] The role was later recast to Nona Gaye.[40] Aaliyah's scenes were later included in the tribute section of the Matrix Ultimate Collection series.[70]

In 2005, Aaliyah's second compilation album, Ultimate Aaliyah was released in the UK by Blackground Records.[71] Ultimate Aaliyah is a three disc set, which included a greatest hits audio CD and a DVD.[71] Andy Kellman of Allmusic remarked "Ultimate Aaliyah adequately represents the shortened career of a tremendous talent who benefited from some of the best songwriting and production work by Timbaland, Missy Elliott, and R. Kelly."[71]



Musical style and image
"More Than a Woman" (2001)

As her albums progressed, music critics felt that Aaliyah had matured, noting a "near-flawless declaration of strength and independence".[72]

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Aaliyah had a vocal range of a soprano.[9] With the release of her debut single "Back & Forth", Dimitri Ehrlich of Entertainment Weekly expressed that Aaliyah's "silky vocals are more agile than those of self-proclaimed queen of hip-hop soul Mary J. Blige."[73] Aaliyah described her sound as "street but sweet", which featured her "gentle" vocals over a "hard" beat.[74] Though Aaliyah did not write any of her own material,[9] her lyrics were described to be in-depth.[75][76] She incorporated R&B, pop and hip hop into her music. Her songs were often uptempo and melancholy, revolving around "matters of the heart".[72][77] Her songs have been said to have "crisp production" and "staccato arrangements" that "extend genre boundaries" while containing "old-school" soul music. When experimenting with other genres, such as Latin pop and heavy metal, writers panned the attempt.[77] As her albums progressed, writers felt that Aaliyah matured, calling her progress a "declaration of strength and independence".[72][76] Stephen Thomas Erlewine of Allmusic described her eponymous album, Aaliyah, as "a statement of maturity and a stunning artistic leap forward" and called it one of the strongest urban soul records of its time.[76] She portrayed "unfamiliar sounds, styles and emotions", but managed to please critics with the contemporary sound it contained.[76] Ernest Hardy of Rolling Stone felt that Aaliyah reflected a stronger technique, where she gave her best vocal performance.[72] Others felt that she was "satisfying rather than extraordinary", stating that she added little to modern R&B.[78][79]

As an artist, Aaliyah often voiced that she was inspired by a number of performers. These include Michael Jackson, Stevie Wonder, Barbra Streisand, Sade, En Vogue, The Isley Brothers, Naughty by Nature, Johnny Mathis and Janet Jackson.[80] Aaliyah expressed that Michael Jackson's Thriller was her "favorite album" and that "[n]othing will ever top Thriller."[80] She stated that she admired Sade because "she stays true to her style no matter what... she's an amazing artist, an amazing performer... and I absolutely love her."[80] Aaliyah expressed Janet Jackson—whom she had drawn frequent comparison to over the course of her career—was someone she had always desired to work with, stating "I admire her a great deal. She's a total performer... I'd love to do a duet with Janet Jackson."[80][81][82][83] Jackson reciprocated Aaliyah's affections, commenting "I've loved her from the beginning because she always comes out and does something different, musically." Jackson also stated she would have enjoyed collaborating with Aaliyah.[80]

Since the beginning of her career, Aaliyah focused on her public image. She often wore baggy clothes and sunglasses, stating that she "wanted to be me".[84] She described her image as being "important… to differentiate yourself from the rest of the pack".[85] She often wore black clothing, starting a trend for similar fashion among women in United States and Japan.[9][86] Aaliyah participated in fashion designer Tommy Hilfiger's All America Tour and was featured in Tommy Jean ads, which depicted her in boxer shorts, baggy jeans and a tube top. Hilfiger's brother, Andy, called it "a whole new look" that was "classy but sexy".[86] When she changed her hairstyle, Aaliyah took her mother's advice to cover her left eye, much like Veronica Lake.[87] In 1998, Aaliyah hired a personal trainer to keep in shape. She exercised five days a week and ate diet foods.[88] Aaliyah was praised for her "clean-cut image" and "moral values".[89]



Legacy
Aaliyah has been credited for helping redefine R&B and hip hop in the 1990s, "leaving an indelible imprint on the music industry as a whole."[90][91] Steve Huey of Allmusic wrote Aaliyah ranks among the "elite" artists of the R&B genre, as she "played a major role in popularizing the stuttering, futuristic production style that consumed hip-hop and urban soul in the late '90s."[92] Described as one of "R&B's most important artists" during the 1990s,[93] her second studio album, One in a Million, became one of the most influential R&B albums of the decade.[94] According to Sal Cinquemani of Slant Magazine, Aaliyah provided a "missing link" between hip hop and electronica.[95] Having sold 8.1 million albums in the United States and over 24 million records worldwide,[96][97] Aaliyah has been named the "Princess of R&B"[98] and "prove[d] she was a muse in her own right".[99] Ernest Hardy of Rolling Stone dubbed her as the "undisputed queen of the midtempo come-on".[72]

Aaliyah was honored at the 2001 MTV Video Music Awards by Janet Jackson, Missy Elliott, Timbaland, Ginuwine and her brother, Rashad, who all paid tribute to her.[100] In the same year, the United States Social Security Administration ranked the name Aaliyah one of the 100 most popular names for newborn girls.[101] Aaliyah was ranked as one of "The Top 40 Women of the Video Era" and "100 Sexiest Artists" in VH1's 2003 The Greatest series.[102][103] She was also ranked at number 18 on BET's "Top 25 Dancers of All Time".[104] In memory of Aaliyah, the Entertainment Industry Foundation created the Aaliyah Memorial Fund to donate money raised to charities she supported.[105][106] In December 2009, Billboard magazine ranked Aaliyah at number 181 on the magazine's Top 200 Albums of the Decade.[1

Friday, January 15, 2010

Earthquake in Oklahoma Today

Oklahoma City earthquake, earthquake in oklahoma today

AN EARTHQUAKE struck the town of Jones in Central Oklahoma on Friday morning. The Oklahoma earthquake, with an epicentre located three miles northeast of Jones, had a magnitude of 4.0 on the Richter scale.

As per the United States Geological Survey, the earthquake which occured at 9:18 AM, had an epicentre three miles underground and could be felt as far as 60 miles away. Many people in downtown Oklahoma city and Tulsa could feel the rumble of this earthquake. No damage or injuries occurred.

Tammy Starks, a resident said,"I work at Roosevelt Elementary. And I was sitting at my desk and I felt my chair moving around and thought nothing. Until I read on the Internet that we had the after effects of the earthquake. I was amazed. I told my co-workers and they laughed until they looked on NewsOn6.com," said Tammy Starks.

This has been the third earthquake this week in Oklahoma. On Thursday morning, an earthquake of 2.8 magnitude occurred near Logan County and on Monday, there had a 3.3 magnitude earthquake near Jones.




Oklahoma Earthquake
Friday, January 15, 2010 at 10:36 pm Oklahoma Earthquake

Oklahoma Earthquake Breaking news updates :- An earthquake struck near the central Oklahoma town of Jones Friday morning, rattling parts of the whole state, including Green Country.

This is the third earthquake in Oklahoma this week. Thursday morning, an 2.8 earthquake was recorded in Logan County and on Monday, a 3.3 earthquake struck near Jones.

The U.S. Geological Survey says the 4.0 earthquake struck at 9:18 a.m. Jones is located about 17 miles northeast of Oklahoma City.

Employees at the National Weather Service office in Tulsa say they felt the quake.

Suzie Reynolds from Broken Arrow said, “I was laying in bed with my 6-year-old daughter and she sat up and said ‘What is that?? It sounds like someone is tapping on our window.’ It was our window panes shaking!!”

The epicenter of the quake was 3.1 miles underground about three miles outside of Jones.

Seismologist Austin Holland of the Oklahoma Geological Survey said the quake was felt in Midwest City, Jones and surrounding areas but no damage or injuries have been reported.

“I live in Jenks and was working at my desk when it started shaking and I’m thinking is this and earthquake? Yep earthquake,” said Eric Jenkins in Jenks.




Earthquake Shakes Portions Of Oklahoma Friday
Jones - A magnitude 4.0 earthquake rattled parts of central Oklahoma Friday Morning.

According to the United States Geological Survey the epicenter of the quake was recorded about 3 miles northeast of Jones, OK. At a depth of about 3 miles.

People in downtown Oklahoma City reported feeling the quake. Reports have also been reported as far away as Tulsa.

According to USGS officials, a magnitude 4.0 eastern U.S. earthquake can be felt up to 60 miles away. Damage is usually very minor if any. 8 Talkback:

No reports of damage or injuries have been reported with this mornings earthquake.

The strongest recorded earthquake ever in Oklahoma took place near El Reno on April 4,1952. The 5.5 magnitude earthquake, according to USGS records, toppled chimneys and knocked down brick walls. It even created a near 50 foot crack in the State Capital Building in Oklahoma City.



Oklahoma Earthquake
A magnitude 4.0 earthquake shook central Oklahoma on Friday morning. The U.S. Geological Survey says that the epicenter of the quake was recorded about 3 miles northeast of Jones, OK. Jones is located about 17 miles northeast of Oklahoma City. The earthquake struck at 9:18 a.m. at a depth of about 3 miles. No damage or injuries have been reported.

National Weather Service office employees in Tulsa say they felt the quake. Ashley Copelin at 61st and Garnett in Tulsa, said,

Thursday, January 14, 2010

RUSH, ROBERTSON TAKE HEAT ON REMARKS ON HAITI EARTHQUAKE

Pat Robertson, Rush Limbaugh slammed by Keith Olbermann for Haiti comments
By Andrea Reiher

January 14, 2010 7:30 AM
Keith Olbermann does not hold back on "Countdown" when addressing Pat Robertson's and Rush Limbaugh's comments regarding the devastation in Haiti.In case you haven't heard, televangelist Pat Robertson has said that the Haitian people have bad things happen to them because they made a pact with the Devil in exchange with getting the French out of their country many years ago.Meanwhile, Rush Limbaugh has been spouting all sorts of ludicrous vitriol regarding President Obama using this tragedy to curry favor with the Black community and also taking him to task for holding a press conference the day after the earthquake but not the day after the failed bombing in Detroit. Limbaugh also has said, "We already donated to Haiti. It's called the U.S. income tax." What does that even mean?Keith Olbermann takes them both to task for their heartless, callous comments regarding this tragedy and ends with, "Mr. Robertson, Mr. Limbaugh, your lives are not worth those of the lowest, meanest, poorest of those victims still lying under the rubble in Haiti tonight ... You inspire only stupidity and hatred."We wonder what the Republicans who were calling for Harry Reid's resignation would say about Conservative voice Rush Limbaugh's comments?


Don’t Let the Terrorists Win — Ignore Rush and Robertson

Yesterday, much to my surprise, I found myself quoting the National Rifle Association favorably.
Today, another surprise.
It was October 11th, 2001 — one month after the attack — and someone said:
“We cannot let the terrorists achieve the objective of frightening our nation to the point where we don’t — where we don’t conduct business, where people don’t shop. That’s their intention. Their intention was not only to kill and maim and destroy. Their intention was to frighten to the point where our nation would not act. Their intention was to so frighten our government that we wouldn’t seek justice; that somehow we would cower in the face of their threats and not respond, abroad or at home.”
Yep, W. Not my usual go-to person when I want to make a point.
But here’s the thing — and please understand I am not about to compare Rush Limbaugh and Pat Robertson to the murderers of September 11th. Well, I’m not in anyway going to say Limbaugh and Robertson are murderers.
But when it comes to President Bush’s statement about “their intention” being “to frighten our government that we wouldn’t seek justice, that somehow we would cower in the face of their threats and not respond…”
Yep. That’s definitely Limbaugh.
Yesterday — and I almost regret sending people to his site because I really don’t want to drive traffic there — he said:
“This will play right into Obama’s hands. He’s humanitarian, compassionate. They’ll use this to burnish their, shall we say, “credibility” with the black community — in the both light-skinned and dark-skinned black community in this country. It’s made-to-order for them. That’s why he couldn’t wait to get out there, could not wait to get out there.”
He was talking about Haiti and how President Obama waited three days to talk about the underwear bomber but was immediately out there on Haiti.
Now, I’m sure Limbaugh was equally critical of President Bush’s decision to wait for even longer to speak about Richard Reid, so let’s let that part of his comments go for now.
But, when it comes to the part about frightening people so they won’t act, that is exactly what Limbaugh is trying to do, He wants to rile people up, foment hatred, try to force the government into a position of fear where they won’t be able to act.
It’s absolutely hateful.
There are tens of thousands of people dead and he’s trying to score political points and drive up his ratings?
Beautiful.
And Limbaugh’s just getting started. He wants to demonize the Haitians, portray them as the architects of their own destruction and unworthy of aid.
“The Haitian economy is entirely dependent on foreign aid,” he aid. “They produce nothing. Zilch, zero, nada. And it’s been that way for the longest time.”
Well, as the State Department points out in a backgrounder, that just isn’t the case.
Yes, they import three times what they export, but they do export things like mangoes, leather and raw hides and seafood.
But, in Haiti’s defense. There could be a country with an even greater trade deficit, one that imports four times of what they export. I just can’t imagine what country could be in that bad shape? Oh, wait.
Listen, I have no problem with Limbaugh wanting to criticize the President. He wants to disagree with everything he says, no problem. Have at it.
But don’t make the stuff up. Don’t try to scare people to drive up your ratings. People want to disagree, that’s great. This country has a great history of debate. But let it be honest debate. Let’s not demonize people to score political points.
Limbaugh has a very powerful platform from which to speak. If he wants to use it to to try and get Obama and his ideas defeated, he should feel free to proceed. He should just do it with facts instead of by trying to scare people into submission.
Admittedly, he’s not saying Haiti can trace their problems to a pact with Satan.
But if Limbaugh and others are able to foment hatred and scare this country into not being able to act, well — to paraphrase President George W. Bush — then the terrorists have won,



Rush Limbaugh, Pat Robertson take heat on remarks
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Televangelist Pat Robertson (left) and conservative radio host Rush Limbaugh are being scolded for their comments in the immediate aftermath of the earthquake in Haiti.

Conservative radio host Rush Limbaugh and televangelist Pat Robertson are being scolded for their comments in the immediate aftermath of an earthquake in Haiti that has killed tens of thousands, according to early estimates.
Critics from both the left and right are denouncing their remarks as insensitive to the disaster and attempts to score political points off human tragedy.
Speaking on his radio show Wednesday, Limbaugh said the earthquake has played into Obama’s hands, allowing the president to look “compassionate” and “humanitarian” while at the same time bolstering his standing in both the “light-skinned and dark-skinned black community in this country.”
He added: “We've already donated to Haiti. It’s called the U.S. income tax.”
Limbaugh’s comments were, in part, a riff on Sen. Harry Reid’s (D-Nev.) much publicized remark in a new book that Obama was able to win the election because he is “light-skinned” and lacks a “Negro dialect.”
But regardless of the intended context, Limbaugh’s comments have been widely panned.
“They are deeply insensitive,” said conservative commentator Pat Buchanan on MSNBC’s “Morning Joe.”
“The president speaks for the country when he says we’re going to go in there,” he said. “You want your whole nation, and it’s very positive. And I think Rush’s comments were cynical.”
Sitting next to Buchanan on set, host Joe Scarborough called Limbaugh’s comments “deplorable.”
“The insensitivity is stunning,” said the former Republican congressman.
Liberal commentators also quickly jumped on Limbaugh.
“Limbaugh did not know when to just shut up,” said liberal commentator Keith Olbermann on his MSNBC show “Countdown.” “Today he blamed communism for the poverty of Haiti, blamed President Obama for holding a news conference the day after this cataclysm when he did not hold one after the failed half-assed terror attempt in Detroit.”
John Amato from the left-leaning site Crooks and Liars added that “with thousands of people dead already and as the suffering continues in Haiti, Limbaugh and his ilk only care about one thing: Destroying Obama.”
The conservative media watchdog site Newsbusters stepped up to defend Limbaugh, saying his comments were not put in proper context, but very few others are backing the conservative firebrand’s latest controversial remarks.